A bit belatedly, I’m reposting my piece on the Fin from last week, on background music, a topic we’ve discussed previously.
Also in the Fin Review section (paywalled) a couple of weeks ago was a piece by Andrew Ford which inlcuded an observation I’ve made myself, that contemporary music in the classical tradition often sounds like the soundtrack to a horror/thriller movie, and went on to point out that David Lynch has actually used ‘modern classical’ compositions in this role. He asks why people who are perfectly happy with the music as a soundtrack are totally unwilling to listen to it in concert. I think the potential audience falls into two groups, both small
(i) classical concert-goers who like horror/thriller movies
(ii) horror/thriller fans keen enough to go to a concert performance of the soundtrack
Anyway, here’s the article